Schoonover, Frank (1877-1972)

Frank Earle Schoonover was born on August 19, 1877, in Oxford, New  Jersey. In 1891, he graduated with high honors from a Trenton, New Jersey, high school, where he gave the salutatory address.  After considering the idea of entering the ministry, he decided,  in 1896, to attend art school at the Drexel Institute in Philadelphia.  There he came under the beneficial influence of Howard  Pyle, whose work he had copied from magazines throughout  his boyhood. During the summers of 1898 and 1899, Schoonover  received one of ten annual scholarships to Pyle’s summer school  at Chadds Ford, Pennsylvania. At Drexel, Schoonover and Stanley  M. Arthurs became class monitors for Pyle’s class.

Listen To Frank E. Schoonover:

The artist reminisces about a visit to Howard Pyle’s studio in 1904. Told to a group of children at the Delaware Art Museum around 1962.

In 1899, Schoonover moved to  Wilmington; in the following year, he set up his studio at 1305 Franklin Street and later, in 1906, established a permanent studio  at 1616 Rodney Street, where he remained for the rest of his  career. in 1903, Schoonover, who since boyhood had loved the great outdoors, traveled by snowshoes and dog sled in the Hudson  Bay and James Bay areas of Quebec and Ontario in Canada. He sketched  and studied his environment unceasingly in order to master the  realistic depiction of the North American frontier. In 1907,  during a trip to Europe in the company of Richard Sellers of  Wilmington, Schoonover was particularly impressed with the great  monuments and works of Italian art. He married Martha Culbertson  of Philadelphia in 1911.

Besides doing magazine illustration,  Schoonover wrote articles and stories and illustrated more than  two hundred classics and children’s books. He and Gayle Hoskins  organized the Wilmington Sketch Club in 1925, and in 1931 lectured  at the School of Illustration for the John Herron Art Institute  of Indianapolis. In 1942 he began his own school in Wilmington,  where he taught art classes until 1968, when he was ninety-one  years of age. Schoonover, a devout Episcopalian, devoted much  energy to Immanuel Church, Wilmington, where he designed sixteen  stained glass windows and served as warden for forty-one years  until 1959. After a series of paralyzing strokes, which ended  his artistic career in 1968, Schoonover died at the age of ninety-five  in 1972.

Schoonover’s subject matter included  cowboys, Indians, and Canadian trappers. His forms were simple  and well defined and his moods powerful. Later in his career,  his style became less rigid and more impressionistic. Schoonover  was also an accomplished watercolorist and muralist and an avid  photographer. He used photographs as references for his illustrations  to remind himself of the mood and character of the models.

References: Apgar, John., Jr.  Frank E. Schoonover: Painter, Illustrator. Privately printed,  1969; The Ege of the Wilderness: A Portrait of the Canadian North,  Frank E. Schoonover. Cortlandt Schoonover, ed. Secaucus, New  Jersey: Derbibooks, Inc., 1974; Elzea, Diversity; Pitz, Brandywine  Tradition; Pitz, Howard Pyle; Schoonover, Cortlandt. Frank Schoonover,  Illustrator Of the North American Frontier. New York: Watson-Guptill  Publications, 1976; Wyeth letters; Sunday Star (Wilmington),  April 10, 1910; Delaware Art Museum, Frank Schoonover Collection.